After years of working with tension and contradiction — weapons softened by flowers, familiar forms made strange — I wanted to try the opposite: to take something completely ordinary and make it quietly extraordinary.

Candle making, for me, became a form of grounding — a slow practice after the intensity of sculptural work. Wax cannot be rushed. It teaches you to work with time instead of against it.

Each piece begins with the search for the right vegetable — a curve, a tension, a surface that feels almost sculptural. I create a silicone mold preserving every detail and imperfection, then finish each candle by hand. No two are the same.

I work with 100% Spanish beeswax — a natural material with its own warmth and subtle scent.

Each candle is a small, attentive study of form, texture, and atmosphere — made slowly, by hand, and meant to be felt as much as seen